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Thomas Cheneseau pursues a work of sharing through artistic communities 2.0. It is with his diversions of social networks such as Facebook, via his personal profile, that he begins his work by producing series of screenshots and online performance activities. In 2011 during the Festival “Futur en Seine” of Paris, Thomas Cheneseau gets noticed by creating and marketing the Facebook profile of Marcel Duchamp. The researches of this young artist, begun in Art School with professors as Jean-Louis Boissier in post-diploma at ENSAD, and Maurice Benayoun with the project IN/OUT at the laboratory CITU, creates some ambitious projects. He is one of the curators and launcher of the project SuPer Art Modern Museum in 2011. He has also curated the biennale Transnumériques in Brussels in 2012, and Unlike in 2016 (exhibition about social networks and digital identities).

He presented his work during conferences at the Virginia Commonwealth University (US), at l’École Nationale Supérieure des Beaux-Arts de Paris (FR), at the Institute of Network Cultures in Amsterdam (NL), at La Fabrique de Théâtre in Province de Hainaut (BE), at Gaité Lyrique Paris (FR), and participated in numerous exhibitions : “Images Révélées” at the Sainte-Croix Museum of Poitiers (FR), “Pavillon Internet” at Venice Biennale (IT), “DVD Dead Drop” at the Museum of Moving Image in New York (US), “Regards d’artistes sur les médias sociaux” at Cap Sciences in Bordeaux (FR), “Digital Texture” at Nomade Gallery in Hangzhou (CH), “Newpressionism” at The Swiss Institute in Milan (IT), “Web players” at PODFEST festival from Rio de Janeiro (BR), Festival GLI.TC/H in Chicago (US).

Currently he develops a glitch photographic and video work from his iPhone and in partnership with the application Glitché. His work is represented by the online gallery Artjaws.


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